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The Tout - Peter Ronald Buchanan
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The Tout - Peter Ronald Buchanan
Mr P. R. G. Buchanan, whose caricatures, mainly of horse racing society, under the pseudonym The Tout were published in The Tatler and The Bystander magazines during the 1920s and 30s. Pictured at work at his easel in 1923 when an exhibition of his drawings was held at the Walker Art Galleries in New Bond Street. Date: 1923
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Media ID 14186151
© Illustrated London News Ltd/Mary Evans
Buchanan Caricatures Caricaturist Caricaturists Easel Illustrator Illustrators Peter Pseudonym Ronald Tout 1923 Artists
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EDITORS COMMENTS
This photograph captures the enigmatic figure of Peter Ronald Buchanan, better known by his pseudonym The Tout, as he immerses himself in the creative process at his easel in 1923. Buchanan was a renowned caricaturist and illustrator, whose humorous and insightful drawings of horse racing society graced the pages of The Tatler and The Bystander magazines during the 1920s and 30s. The Tout's unique ability to capture the essence of his subjects, often with a satirical twist, made him a beloved and influential figure in the world of British art and illustration. In this image, Buchanan is seen in his studio, surrounded by the tools of his trade and the evidence of his artistic endeavors. The easel stands tall in the center of the frame, a canvas blank and waiting for the next masterpiece to emerge. At the time of this photograph, Buchanan was enjoying a well-deserved moment in the spotlight, as an exhibition of his drawings was being held at the prestigious Walker Art Galleries in New Bond Street. The success of this exhibition solidified his reputation as a talented and respected artist, and his work continued to delight and intrigue audiences for decades to come. The Tout's legacy as a caricaturist and illustrator is an important one, as his work offers a fascinating glimpse into the world of horse racing society during a time of great social and cultural change. His ability to capture the essence of his subjects, often with a wry and humorous touch, continues to resonate with audiences today, making his work a valuable and enduring contribution to the history of British art and illustration.
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