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Relief depicting the god Asclepius seated. Butrint. Albania
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Relief depicting the god Asclepius seated. Butrint. Albania
GREEK ART. REPUBLIC OF ALBANIA. Relief depicting the god Asclepius seated. Found in 1938 near the Hellenistic gate of Butrint. III-I centuries B.C. Ruins of Butrint Museum
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Archeological Archeology Before Butrint Butrinti Butrinto Christ Civilization Greeks Headless Iiird Iind Impaired Mithological Mythology
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EDITORS COMMENTS
1. Title: A Seated God of Healing: The Ancient Relief of Asclepius Discovered in Butrint, Albania This relief, dating back to the Hellenistic period between the III and I centuries B.C., depicts the revered Greek god of healing, Asclepius. Discovered near the ancient Hellenistic gate of Butrint in Albania in 1938, this exquisite piece is now proudly displayed in the Ruins of Butrint Museum. Asclepius, a central figure in Greek mythology and religion, is shown seated on a throne, his serene face expressing wisdom and compassion. He is dressed in a long robe, adorned with a cloak, and wears a tall, winged hat, symbolizing his divine power to heal. In one hand, he holds a staff entwined with a serpent, a symbol of his ability to cure illnesses and restore health. The god's head is missing, likely due to damage during antiquity or later excavations. However, the intricate details of his impaired body and the remaining elements of the relief are a testament to the advanced artistic techniques of the ancient Greek civilization. Asclepius was considered the god of medicine and was often invoked for healing, particularly in the context of temples and sanctuaries. This relief serves as a powerful reminder of the ancient Greek culture, their artistic achievements, and their deep-rooted belief in the divine power of healing. The discovery of this relief at Butrint, a UNESCO World Heritage Site, highlights the rich archaeological history of Albania and its connections to the classical world. It is a valuable addition to the vast collection of Greek art and artifacts that continue to inspire and captivate scholars, artists, and visitors alike.
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