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Rameau, Jean-Philippe

Rameau, Jean-Philippe


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Rameau, Jean-Philippe

Rameau, Jean-Philippe. French composer. Trait de l Harmonie (Treatise on Harmony). Edition carried out in Paris (1722)

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Media ID 8267809

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10210938

1722 Carried Composer Edition Harmony Philippe Treatise Aisa Rameau


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This print depicts Jean-Philippe Rameau (1684-1764), a pivotal figure in the development of French music and music theory. Rameau, dressed in the elegant attire of the time, is shown holding a copy of his groundbreaking work, "Traité de l'Harmonie" or "Treatise on Harmony," published in Paris in 1722. The treatise was a significant contribution to the understanding of musical harmony and theory, and it played a crucial role in establishing Rameau's reputation as a leading composer and theorist. The treatise marked a departure from the prevailing musical theories of the time, which were based on the principles of Italian composer Gioseffo Zarlino. Rameau's innovative approach was grounded in the concept of the "fundamental bass," which posited that the bass line of a musical composition was the foundation upon which all other parts were built. This idea revolutionized the way composers approached harmony and counterpoint. The publication of "Traité de l'Harmonie" also signaled a shift in the cultural landscape of Paris. The treatise was not only a technical manual but also a manifesto for the emergence of a distinctly French musical style. Rameau's theories and compositions, which incorporated the new harmonic language, were embraced by the Parisian elite and helped to establish a sense of national pride in French music. This print, with its intricate detail and evocative imagery, offers a glimpse into the world of Jean-Philippe Rameau and the intellectual and artistic milieu of 18th-century Paris. It stands as a testament to the enduring influence of Rameau's ideas on the development of Western music and music theory.

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