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A priest leading a bull to sacrifice, from the Palace
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A priest leading a bull to sacrifice, from the Palace
A priest leading a bull to sacrifice, from the Palace of Zimri-Lim, Mari. Babylonian art. Neo-Babylonian Art. Painting. SYRIA. ALEPPO. Aleppo. Archaeological Museum
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Media ID 14184212
© BeBa/Iberfoto/Mary Evans
Aleppo Archaeological Art Sticas Art Sticos Arte Artes Artica Articas Artico Articos Artistica Artistico Asians Babylon Babylonian Belief Beliefs Bellas Bull Clergy Leading Mari Mesopotamia Paintings Pictures Priest Priests Religions Ritual Rituals Sacrifice Syria Upright Worship Worships
EDITORS COMMENTS
In this ancient Babylonian painting from the Palace of Zimri-Lim in Mari, Syria, a priest is depicted leading a bull towards what appears to be a sacrificial altar. The scene is a poignant representation of the religious practices during the Neo-Babylonian period in the eastern part of Mesopotamia, around 1800 BC. The Palace of Zimri-Lim, located in the ancient city of Mari, was a significant political and cultural center during this time. The bull, with its powerful and muscular form, is led by the priest with a rope tied around its horns. The priest, dressed in ceremonial attire, wears a tall headdress and carries a staff in one hand, while the other hand is raised in a gesture of blessing or direction. The background of the painting shows the grandeur of the palace, with its intricate architectural details and colorful decorations. The act of sacrificing a bull was an essential part of the Babylonian religious beliefs and rituals. The sacrifice was believed to appease the gods and ensure their favor, as well as to ensure the prosperity and protection of the kingdom. The painting provides a fascinating glimpse into the religious practices and beliefs of the ancient civilizations that once thrived in the Middle East, adding to the rich tapestry of history and culture. This painting is an excellent example of Neo-Babylonian art, characterized by its vibrant colors, intricate details, and dynamic compositions. The painting's vertical, upright format further emphasizes the importance and grandeur of the sacrificial ritual. The painting is now housed in the Aleppo Archaeological Museum, preserving this important piece of history for future generations to appreciate and learn from.
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