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Piero della Francesca, Italian painter

Piero della Francesca, Italian painter


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Piero della Francesca, Italian painter

Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Nativity, 1470-75. Tempera on panel. National Gallery. London. England. UK

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Angels Barn Bray Catholicism Christ Christianism Cloak Crossed Della Donkey Francesca Infant Instrument Jesus Kneeling Lute Musician Nativity Piero Pray Prayer Renaissance Shepherd Sing Singer Singing String Stringed 15th Musical Newly Born


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EDITORS COMMENTS
This exquisite 15th century painting by Piero della Francesca, titled "The Nativity," showcases the beauty and depth of the Italian Renaissance. Piero della Francesca, born around 1420 in Borgo San Sepolcro, Italy, was a prominent painter of the early Renaissance period. This masterpiece, created between 1470 and 1475, is a testament to his exceptional artistic skill. The painting depicts the Nativity scene, with the newly born Christ lying in a manger surrounded by the Virgin Mary, Joseph, and various angels, shepherds, and animals. Mary, with a serene expression, holds the infant Jesus in her arms, while Joseph, dressed in a simple cloak, kneels in reverence. The ox and donkey, symbols of the Old Testament prophecy of the Messiah, look on from the side. One of the most striking features of this painting is the use of music as a visual element. An angel plays a lute, its strings crossed, while another angel, dressed in a modern, flowing robe, sings. The musical instruments add a sense of joy and celebration to the scene, reflecting the Catholic belief in the divine nature of Christ's birth. The attention to detail in the painting is remarkable. The folds in the robes of the figures, the texture of the ox's hide, and the intricate patterns on the angels' cloaks all contribute to the painting's lifelike quality. The use of tempera on panel further enhances the painting's durability and vibrancy. "The Nativity" is a testament to Piero della Francesca's artistic prowess and his ability to capture the essence of the Christian faith in his work. It remains a cherished masterpiece in the National Gallery in London, England, and a beloved icon of the Italian Renaissance.

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