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Picea glauca, white spruce
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Picea glauca, white spruce
Watercolour depicting white spruce foliage from page 42 of Ehret Drawing Book, by Georg Dionysius Ehret, c. 1740 s
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Media ID 8606137
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10711262
18th Century Conifer Coniferae Coniferophyta Coniferous Ehret Georg Dionysius Georg Dionysius Ehret Gymnosperm Picea Pinaceae Pinales Pinophyta Pinopsida Potted Histories Spruce White Spruce
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EDITORS COMMENTS
This exquisite watercolor depicts the foliage of Picea glauca, commonly known as the White Spruce, taken from page 42 of Georg Dionysius Ehret's renowned drawing book, created around 1740. Ehret (1701-1760), a German botanical artist, was a leading figure in the development of botanical illustration during the 18th century. His meticulous drawings, characterized by their vibrant colors and intricate details, were instrumental in advancing the scientific understanding of plants during the Enlightenment. The White Spruce is a coniferous tree belonging to the Pinaceae family, which also includes familiar species such as pine, fir, and hemlock. This particular species is native to the northern hemisphere, thriving in cold climates and growing tall, sometimes reaching over 100 feet in height. The foliage of the White Spruce is characterized by its long, slender needles, which are bluish-green in color and covered in a waxy, silver-blue coating that gives the tree its common name. As a gymnosperm, the White Spruce produces its seeds without flowers, relying instead on cones to protect and disperse them. This tree is an essential component of many northern forests, providing food and shelter for a variety of wildlife, including birds and mammals. Its wood is strong and versatile, making it valuable for a range of applications, from construction to paper production. Ehret's watercolor captures the essence of the White Spruce's beauty and importance, offering a glimpse into the natural world as it was understood during the 18th century. His work continues to inspire and inform our appreciation of the natural world, reminding us of the rich history of botanical illustration and the wonders of the plant kingdom.
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