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The OP spectacles
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The OP spectacles
The OP spectacles. Satire showing head of Clifford with two circles representing huge spectacles, Old house old prices & no private boxes and Old house old prices & no pigeon holes, over his eyes. Each circle contains a symmetrical view of Covent Garden Theatre seen from the stage. Superimposed on the middle of one circle is a large O and in the other circle a large P. Date 1809 Nov. 17. The OP spectacles. Satire showing head of Clifford with two circles representing huge spectacles, Old house old prices & no private boxes and Old house old prices & no pigeon holes, over his eyes. Each circle contains a symmetrical view of Covent Garden Theatre seen from the stage. Superimposed on the middle of one circle is a large O and in the other circle a large P. Date 1809 Nov. 17
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Media ID 7349646
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10609338
EDITORS COMMENTS
1. Title: "The OP Spectacles: A Satirical View of Covent Garden Theatre in 1809 This intriguing print, titled "The OP Spectacles," offers a humorous commentary on the state of Covent Garden Theatre during the late 18th century. The image depicts the head of an older gentleman, Clifford, with two oversized spectacles replacing his eyes. Each spectacle frame is adorned with the inscription "Old house, old prices & no private boxes" and "Old house, old prices & no pigeon holes." The circular lenses of the spectacles reveal symmetrical views of the Covent Garden Theatre as it appeared from the stage. The satirical intent of the print becomes clear with the addition of the large letters O and P superimposed on each lens. These letters are likely a reference to the Old Price system, which was in place at Covent Garden Theatre at the time. This system allowed audience members to purchase tickets at the old, lower prices if they arrived early enough, creating a frenzy among patrons and contributing to long lines and disorganization. The print serves as a humorous critique of the chaos and disarray that characterized Covent Garden Theatre during this period. The old, outdated pricing system and lack of modern conveniences like private boxes and pigeonholes for ticket storage were likely sources of frustration for many theatre-goers. The use of satire in this print allows the artist to poke fun at these issues while also highlighting the need for change and improvement. The print, dated November 17, 1809, is a fascinating glimpse into the history of Covent Garden Theatre and the unique challenges faced by its patrons during this time. Its satirical nature adds an entertaining and engaging element to the historical record, making it a valuable addition to any collection focused on British cartoons and theatre history.
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