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Woman in giant pouf hairstyle, era of Marie Antoinette

Woman in giant pouf hairstyle, era of Marie Antoinette


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Woman in giant pouf hairstyle, era of Marie Antoinette

Woman in giant pouf hairstyle with bonnet and ringlets, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration from the Gallerie des Modes et Costumes Francais, 1778-1787

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Media ID 23385632

© Florilegius

Antoinette Auguste Bonnet Claude Coiffures Etching Etienne Francais Gallerie Garland Giant Guillaumot Hairstyle Hairstyles Marie Millinery Modes Posy Pouf Siecle Xviiie Desrais


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EDITORS COMMENTS
This exquisite copperplate etching by Auguste Etienne Guillaumot, titled "Costumes et coiffures du XVIIIe siecle" or "Costumes and hairstyles of the 18th century," showcases a woman of the era of Marie Antoinette with an extravagant pouf hairstyle adorned with a bonnet and cascading ringlets. The woman's hairstyle is a testament to the opulence and grandeur of the French court during the late 1700s. The pouf, a tall, rounded hairstyle, is supported by a large number of curled locks piled high on the head. A delicate bonnet sits atop the pouf, adorned with a posy of flowers and a garland of leaves. The millinery piece adds a touch of femininity and elegance to the already impressive hairstyle. The etching, originally published in the "Gallerie des Modes et Costumes Francais" between 1778 and 1787, is a meticulous and detailed representation of the fashionable hairstyles of the time. The artist, Auguste Etienne Guillaumot, was a master of the copperplate etching technique, which allowed for intricate and precise detail in the illustrations. The woman's attire, while not the focus of the etching, is also noteworthy. Her dress is adorned with intricate patterns and textures, reflecting the ornate and luxurious fashion of the period. The overall effect of the etching is one of opulence and grandeur, transporting us back to the world of Marie Antoinette and the French court of the late 18th century.

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