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White water lily, Nymphaea alba, and yellow
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White water lily, Nymphaea alba, and yellow
White water lily, Nymphaea alba, and yellow water lily, Nuphar lutea. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript
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Media ID 23192068
© Florilegius/Mary Evans
Adam Alba Captions Edition Herb Herbal Krauterbuch Lily Lonicer Lutea Nenuphar Nuphar Nymphaea Pirate Woodblock Woodcut
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1. Title: White Water Lilies: A Harmonious Union of Nymphaea Alba and Nuphar Lutea This exquisite handcoloured woodblock engraving, hailing from the 16th century, showcases the enchanting beauty of two aquatic plants: the White Water Lily (Nymphaea alba) and the Yellow Water Lily (Nuphar lutea), also known as the White Nenuphar and the Yellow Nenuphar, respectively. The illustration is taken from Adam Lonicer's Krauterbuch, or Herbal, published in Frankfurt in 1557. The image captures the tranquility and allure of these aquatic blooms as they gracefully float on the water's surface. The White Water Lily, with its pristine white petals and central disc, is a symbol of purity and serenity. In contrast, the Yellow Water Lily boasts vibrant, golden petals that add a touch of warmth and brightness to the scene. This botanical illustration serves as a testament to the intricate detail and artistry of the 16th century. The meticulous hand-colouring brings the plants to life, allowing us to appreciate their unique features and subtle differences. The woodblock engraving process, a popular method during this time, involved carving the design into a block of wood and then inking and printing it onto paper. The Krauterbuch, or Herbal, was a comprehensive compendium of medicinal plants and their uses. This illustration, along with its Latin, Greek, French, Italian, German, and English captions, would have been an essential resource for apothecaries, physicians, and scholars during the Renaissance period. This pirate edition or atlas of illustrations, which may have been produced without the original publisher's permission, offers a fascinating glimpse into the world of botany and medical knowledge during the 17th century. The captions, written in various languages, attest to the international reach and impact of such works.
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