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Plaque depicting the sacrifice of Iphigenia

Plaque depicting the sacrifice of Iphigenia


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Plaque depicting the sacrifice of Iphigenia

Plaque depicting the sacrifice of Iphigenia, daughter of King Agamemnon. Chromolithograph by W. Griggs from Frederick Rathbones Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898

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Media ID 23199668

© Florilegius/Mary Evans

Agamemnon Artistic Ceramic Ceramics Frederick Iphigenia Josiah Mythology Plaque Pottery Produced Rathbone Sacrifice Stoneware Trojan Wedgwood Myth


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EDITORS COMMENTS
This plaque depicts the poignant moment from Greek mythology when Iphigenia, the beloved daughter of King Agamemnon, is about to be sacrificed to appease the gods and ensure the success of the Trojan War. The scene is beautifully rendered in intricate detail through the chromolithograph technique by W. Griggs, as part of Frederick Rathbone's Old Wedgwood series. The Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, showcased in this plaque, is a testament to the rich cultural heritage of classical mythology. Iphigenia, dressed in traditional Greek attire, stands resolutely, her hands bound, as her father, King Agamemnon, looks on with a mixture of regret and resolve. The backdrop of the Aegean Sea and the rocky cliffs add to the dramatic atmosphere of the scene. The sacrifice of Iphigenia is a well-known tale from Greek mythology, which has been retold through various forms of art and literature throughout history. This particular depiction, produced by Josiah Wedgwood and Quaritch in London in 1898, is a stunning example of the artistic ceramic work of the time. The use of chromolithography, a technique that involves the transfer of multiple colors from lithographic stones, adds depth and vibrancy to the image, making it a true masterpiece. The plaque serves as a reminder of the enduring power of Greek mythology to captivate and inspire, and the beauty and craftsmanship of the ceramic work produced during the late 19th century.

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