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Grave effigy or Lady Arabella, Countess Dowager
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Grave effigy or Lady Arabella, Countess Dowager
Grave effigy or Lady Arabella, Countess Dowager of Nottingham, in the chancel of St. Mary le Savoy. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800
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Media ID 23390560
© Florilegius
Antiquaries Antiquities Arabella Chiswick Churchyard Countess Dowager Effigy Environs Folder Grave Hogarth Member Middlesex Sewell Simco Tomb Smith
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EDITORS COMMENTS
1. Title: "Lady Arabella, Countess Dowager of Nottingham: A Tribute to Eternal Beauty - A Glimpse into the Past through an Antiquarian's Lens" This evocative image presents the grave effigy of Lady Arabella, Countess Dowager of Nottingham, as it lies in the chancel of St. Mary le Savoy, a historic church nestled in the heart of London's Chiswick district, Middlesex. The effigy, a testament to the beauty and status of the deceased, is a masterpiece of 18th-century craftsmanship, meticulously captured in this exquisite copperplate engraving by John Thomas Smith. The original drawings for this engraving were produced by members of the esteemed Society of Antiquaries, a prestigious organization dedicated to the study and preservation of history and archaeology. Smith's "Antiquities of London and its Environs," published in 1800 by J. Sewell, R. Folder, and J. Simco, showcases the rich architectural and historical heritage of the city and its surroundings. Lady Arabella's effigy, dressed in the elegant attire of the time, lies in a tranquil repose, her hands delicately folded, and a serene expression on her face. Her ornate headdress and the intricate detailing of her gown reflect the opulence and grandeur of the aristocracy during the period. The engraving offers a captivating glimpse into the past, transporting us to a time when the art of tomb sculpture was a significant means of commemorating the lives of the nobility. The image also serves as a tribute to the skill and artistry of the artist, William Hogarth's contemporary, John Thomas Smith, who, through his meticulous work, has preserved this historical artifact for future generations to appreciate and study. In conclusion, this image of Lady Arabella's grave effigy is not only a beautiful work of art but also a valuable historical record, offering insights into the lives of the aristocracy during the 18th century and the rich cultural heritage of London and its surroundings.
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