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The Flippity Flop Young Man by Harry Adams and E Jonghmans

The Flippity Flop Young Man by Harry Adams and E Jonghmans


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The Flippity Flop Young Man by Harry Adams and E Jonghmans

Promotional music sheet for The Flippity Flop Young Man, a music hall song by Harry Adams & E. Jonghmans. The lyrics poke fun at the aesthetic movement, also confirmed by the fact that the young man is looking at a sunflower which was one of the symbols of the aesthetic movement. Sung with immense success by Charles Godfrey. Date: circa 1881

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23100814

© The Michael Diamond Collection / Mary Evans Picture Library

Adams Dec18 Enjoyment Flop Godfrey Harry Marketing Promotional Publicity Singer Song Musical


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EDITORS COMMENTS
Step right up and prepare to be entertained with the whimsical charms of "The Flippity Flop Young Man"! This delightful promotional music sheet, featuring the lyrics penned by Harry Adams and E. Jonghmans, invites us to join in the merriment of this popular music hall song. As we gaze upon the image of the young man, we can't help but notice his amused expression as he gazes at a sunflower. This visual nod to the aesthetic movement adds an extra layer of intrigue and wit to the song's playful lyrics. The sunflower, a symbol of the aesthetic movement, represents the young man's longing for beauty and artistry, making this performance a must-see for those in search of a lighthearted and enjoyable evening out. This image, sung with immense success by the renowned Charles Godfrey, takes us back to the decadent and lively atmosphere of the Victorian era. The music sheet's vibrant colors and intricate illustrations transport us to the heart of the music hall, where laughter, music, and entertainment reigned supreme. Join us for a night of merriment and musical delight as we pay homage to the enchanting world of "The Flippity Flop Young Man"! Circa 1881. Copyright Rights Managed from Mary Evans Prints Online.

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