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Chinese lamp on a chair stand and wax candles, Qing Dynasty
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Chinese lamp on a chair stand and wax candles, Qing Dynasty
Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Bretons China, Its Costumes, Arts, Manufactures, etc. Howlett and Brimmer, London, 1824
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Media ID 23164364
© Florilegius/Mary Evans
Andrea Antoine Arts Baptiste Bertin Breton Candle Candlestick Cardon Croton Freschi Henri Leonard Jean Baptiste Lamp Manufactures Stand Tallow
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EDITORS COMMENTS
1. Title: "A Qing Dynasty Treasure: Chinese Lamp on a Chair Stand and Wax Candles" This exquisite handcoloured copperplate engraving, created by Andrea Freschi after Antoine Cardon, showcases a captivating piece of Chinese decorative art from the Qing Dynasty. The image features a traditional Chinese lamp elegantly perched on a chair stand, accompanied by several wax candles made from tallow, the yellowish fat obtained from the seeds of the Croton tiglium tree, also known as the Tallow Tree or Triadica sebifera. The Chinese lamp, with its intricate design and delicate details, is a testament to the rich cultural heritage and craftsmanship of the Qing Dynasty (1644-1912). The chair stand, adorned with intricate carvings and ornate patterns, adds an air of sophistication and elegance to the piece. The use of a chair stand for the lamp was a common practice in Chinese homes, allowing the lamp to be easily moved from one room to another, providing light and illumination whenever needed. The wax candles, made from the tallow of the Tallow Tree, were a popular choice for Chinese lanterns and candlesticks due to their long burn time and affordability. The image captures the traditional Chinese candlestick design, with its simple yet elegant curves and intricate details. The use of handcoloured copperplate engraving adds an extra layer of depth and richness to the image, bringing the Chinese treasure to life and transporting us back in time to the Qing Dynasty. This engraving, published in "China, Its Costumes, Arts, Manufactures, etc." by Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton in 1824, is a rare and valuable glimpse into the decorative arts of China during the Qing Dynasty. It serves as a reminder of the beauty and intricacy of Chinese craftsmanship and the enduring allure of traditional Chinese design.
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