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Marie Lloyd in the Tatler - The Darling of the Gods
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Marie Lloyd in the Tatler - The Darling of the Gods
Photograph from the Tatler of 20th October 1909 of Marie Lloyd, singer, comedienne and music-hall star riding in an open topped carriage, smiling broadly. Born Matilda Alice Victoria Wood (12 February 1870 7 October 1922) Marie Lloyd began her stage career at the age of 15 at the Grecian Assembly Rooms and was popular for the whole of her life both in the UK and overseas. Date: 20th October 1909
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Media ID 14261511
© Illustrated London News Ltd/Mary Evans
Actresses Alice Carriages Comedienne Comediennes Darling Gods Lloyd Marie Matilda Singer Singers Stars Tatler
EDITORS COMMENTS
Marie Lloyd, the beloved singer, comedienne, and music-hall star, graces the cover of the Tatler on October 20, 1909. Born as Matilda Alice Victoria Wood on February 12, 1870, Lloyd began her stage career at the tender age of 15 at the Grecian Assembly Rooms. Her exceptional talent and captivating stage presence quickly made her a sensation, earning her the moniker "The Darling of the Gods." In this photograph, Lloyd is seen riding in an open-top carriage with a broad smile on her face, basking in the adoration of her fans. The image captures the essence of the Edwardian era, with Lloyd's elegant attire and the graceful carriage adding to the overall charm of the scene. Lloyd's popularity extended beyond the shores of the United Kingdom, making her a household name both in Europe and overseas. Her repertoire included a diverse range of songs, from sentimental ballads to humorous ditties, which resonated with audiences of all ages and backgrounds. Despite her success, Lloyd remained humble and gracious, always taking the time to engage with her fans and give back to her community. Her legacy as a trailblazing performer continues to inspire generations of artists, and her influence can still be felt in the world of music and entertainment today. This photograph is a testament to Lloyd's enduring appeal and the undeniable magic she brought to the stage. It is a poignant reminder of a bygone era, when the simple joy of live performance could captivate the hearts and minds of millions.
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