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Lophophorus impejanus, Himalayan monal
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Lophophorus impejanus, Himalayan monal
Plate 53 from John Goulds The Birds of Asia, Vol. 7, (1850-83). Hand coloured lithograph
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Media ID 8601025
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Birds Of Asia Crest Displaying Endangered Fowl Galliformes Gould Himalayan Iridescent John Gould Lophophorus
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Plate 53 from John Gould's esteemed work, "The Birds of Asia," Volume 7, showcases the breathtaking beauty of the Himalayan Monal, scientifically known as Lophophorus impejanus. This exquisite hand-coloured lithograph, created during the 19th century, captures the essence of this endangered bird's grandeur. The Monal, also referred to as the Impeyan Pheasant or the "Jewel in the Himalayas," is a large, majestic fowl native to the eastern Himalayas and southern China. The Monal's striking appearance is on full display in this illustration. The male bird is depicted in all its glory, with its iridescent blue-green plumage, vibrant red wattles, and distinctive white and blue head plumes. The Monal's crest, which resembles a fan, is held high, adding to its regal appearance. The intricate details of the bird's anatomy are expertly rendered, with particular attention paid to the ear coverts and the feathers on its legs. The Monal is a galliform bird, meaning it belongs to the order of birds that includes chickens, quails, and turkeys. It is a daytime bird, and its vivid colors are most apparent during the day. The Monal's habitat is found in the dense forests of the Himalayas, at altitudes ranging from 1,500 to 3,500 meters. Due to habitat loss and poaching, the Monal is now considered an endangered species, making this historical illustration an even more precious record of its natural beauty. This image, produced by the renowned John Gould, is a testament to the rich biodiversity of Asia and the meticulous craftsmanship of the 19th-century illustrators. The hand-colouring process adds a layer of depth and vibrancy to the lithograph, making it a true masterpiece that continues to inspire awe and appreciation for the natural world.
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