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Le Petit parisien. Tete de Boche, grand roman national pa

Le Petit parisien. Tete de Boche, grand roman national pa


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Le Petit parisien. Tete de Boche, grand roman national pa

Le Petit parisien. Tete de Boche, grand roman national par Aristide Bruant. Bust of a German soldier wearing a spiked helmet and iron cross around his neck. Date 1915. Le Petit parisien. Tete de Boche, grand roman national par Aristide Bruant. Bust of a German soldier wearing a spiked helmet and iron cross around his neck. Date 1915

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Aristide Boche Bruant Parisien Petit


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Le Petit Parisien - Tete de Boche, Grand Roman National

EDITORS COMMENTS
is a powerful and evocative poster created by renowned French artist Aristide Bruant in 1915. The image depicts a bust of a German soldier, his menacing visage captured in intricate detail. The soldier wears a spiked helmet, a symbol of the German military, and around his neck hangs an iron cross, a potent reminder of the religious fervor that fueled the German war effort. At the time of its creation, France was deeply embroiled in World War I, and anti-German sentiment was running high. Bruant's poster, with its provocative title "Grand Roman National," played on this sentiment, portraying the German soldier as a barbaric and uncivilized enemy. The use of the term "roman national" is significant, as it refers to the Roman Empire, implying that the German soldier was a modern-day barbarian, an outsider to the civilized world. Despite its inflammatory title and imagery, the poster is a masterful work of art. Bruant's skillful use of chiaroscuro, or the contrast between light and dark, creates a sense of depth and dimension, drawing the viewer's eye to the intricately detailed features of the soldier's face. The bold lines and strong contrasts also make the image stand out, ensuring that it would be impossible to ignore. Today, "Le Petit Parisien: Tete de Boche, Grand Roman National" is a fascinating glimpse into the past, a reminder of the emotions and tensions that defined a pivotal moment in history. It is a testament to the power of art to reflect and shape public opinion, and a reminder of the complex and often contradictory ways in which national identity is constructed and expressed.

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