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Holbein meets Henry VIII

Holbein meets Henry VIII


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Holbein meets Henry VIII

Henry VIII meets Holbein after being impressed by his artwork. Hans Holbein the Younger, originally from Germany, had been appointed the English Kings Painter in 1536. Date: 1536

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Media ID 14340290

© Illustrated London News Ltd/Mary Evans

Hands Handshake Hans Holbein Meeting Painter Paintings Shake Tudor Tudors Viii Younger Artists


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> Arts > Artists > H > Hans Holbein the Younger

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EDITORS COMMENTS
In this image, we witness a historic moment as the renowned German artist Hans Holbein the Younger (1497-1543) meets King Henry VIII (1491-1547) of England. The year is 1536, and Holbein, who had recently been appointed as the English monarch's painter, presents his masterpieces to the king, leaving Henry VIII deeply impressed. Holbein's innovative approach to portraiture and his ability to capture the essence of his subjects had already gained him a reputation across Europe. In this meeting, the artist and the king extend a warm handshake, symbolizing the beginning of a fruitful collaboration that would result in some of the most iconic portraits of the Tudor era. Henry VIII, known for his interest in the arts and his extensive art collection, was captivated by Holbein's work. The artist, in turn, was granted unparalleled access to the royal court, allowing him to create some of the most intricately detailed and lifelike portraits of the king and his family. This meeting marked a pivotal moment in the history of art, as Holbein's influence on English portraiture would shape the visual representation of the Tudor dynasty for generations to come. The exchange of ideas and artistic techniques between the artist and the king would lead to a renewed appreciation for the power of portraiture and its ability to immortalize the likeness and character of its subjects. As they stand before each other, Holbein and Henry VIII share a moment of mutual respect and admiration, marking the beginning of a creative partnership that would leave an indelible mark on the annals of art history.

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