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Glycine botanical study
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Glycine botanical study
Glycine botanical study.. Lithograph with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897
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Media ID 14211664
© Florilegius / Mary Evans
Andtheirapplicationtoornament Artnouveau Eugenegrasset Glycine Handcoloring Pochoir Stencil
EDITORS COMMENTS
This stunning botanical study of the Glycine plant is an exquisite example of the Art Nouveau design aesthetic, showcasing the intricate detail and beauty of natural forms. The print is a lithograph with pochoir (stencil) handcoloring, created by the renowned French artist Eugène Grasset in 1897 for his publication, "Plants and Their Application to Ornament." Grasset, a pioneer in the Art Nouveau movement, was known for his innovative use of organic motifs and sinuous lines, which he drew inspiration from the natural world. In this print, the delicate tendrils of the Glycine plant are rendered with meticulous precision, their curves and twists forming a captivating pattern against the rich background. The pochoir technique used in this print involved applying color through a stencil, allowing for a high degree of control and detail. Each petal, leaf, and tendril is hand-painted, resulting in a vibrant and richly textured image. The use of handcoloring also adds a sense of individuality and artisanal craftsmanship to the print. The title "Plants and Their Application to Ornament" reflects the Art Nouveau movement's emphasis on the decorative arts and the integration of natural forms into design. This Glycine botanical study is a testament to the movement's commitment to celebrating the beauty of the natural world and its potential for artistic expression. The intricate patterns and sinuous lines of this print continue to inspire designers and artists today, making it a valuable addition to any collection of botanical art or Art Nouveau design.
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