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Gladstone / Disraeli 1874

Gladstone  /  Disraeli 1874


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Gladstone / Disraeli 1874

The Managers Room Mr Punch as theatre manager asks his dramatists Gladstone and Disraeli what their plans are for the season. Date: 3 January 1874

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14292964

© Mary Evans Picture Library

1874 Asks Backstage Cupboard Disraeli Gladstone Manager Plans Props Punch Season Dramatists January


EDITORS COMMENTS
This intriguing and humorous print from 1874, titled "The Managers Room: Mr. Punch as Theatre Manager Asks His Dramatists, Gladstone and Disraeli, What Their Plans Are for the Season," offers a unique glimpse into the political and cultural landscape of Victorian Britain. The image, published by the renowned satirical publication, Mr. Punch, captures a backstage moment in the world of theatre, where the legendary theatre manager, Mr. Punch, is seen engaging in a conversation with two prominent figures of the time: William E. Gladstone and Benjamin Disraeli. Gladstone, dressed in a suit and holding a stack of papers, and Disraeli, wearing a top hat and holding a cane, are deep in conversation with Mr. Punch, who is depicted in his iconic puppet form, wearing a bowler hat and holding a ruler. The setting is a cluttered manager's room, filled with props, costumes, and various theatrical paraphernalia. The print's caption suggests that Mr. Punch is inquiring about the political plans of Gladstone and Disraeli for the upcoming season, implying that the theatre world and the political sphere were intertwined in the Victorian era. The cartoon is a testament to the power of satire and the ability of art to reflect and comment on the events of the day. This print is an important historical document, providing a glimpse into the political and cultural climate of 19th-century Britain. It also offers a fascinating insight into the world of theatre and the role of satire in shaping public opinion. The print's intricate details and rich historical context make it a valuable addition to any collection of Victorian-era art or political history.

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