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The Quiet Husband
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The Quiet Husband
The Quiet Husband, a framed hand-coloured engraving by John June after a painting by John Collet, printed by Robert Sayer and John Smith in London c.1768. The engraving depicts a domestic interior with a clergyman sleeping in front of a fire and a woman embracing a young soldier. Date: c.1768
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Media ID 15480592
© The Geffrye Museum of the Home / Mary Evans Picture Library
Clergy Embracing Fireplace Georgian Sayer Shot Collett Smith
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EDITORS COMMENTS
This exquisitely hand-colored engraving, titled "The Quiet Husband," is a captivating glimpse into the domestic life of the 18th century. The image, created by John June after a painting by John Collet, was printed by Robert Sayer and John Smith in London around 1768. The enchanting scene unfolds in a cozy, well-appointed room with a white, horizontal background that draws the viewer's focus to the heart of the image. At the center, a clergyman, dressed in his robes and hat, slumbers peacefully in front of a roaring fire. The warmth of the fireplace casts a gentle, golden glow on the room, illuminating the quiet serenity of the scene. Nearby, a woman tenderly embraces a young soldier, her expression filled with love and concern. The soldier, in turn, looks at her with a mixture of gratitude and affection. The room is filled with the tranquility of a peaceful home, with a pet bird perched on a windowsill and a dog lying at the foot of the bed. The intricate details of the engraving, from the textures of the fabrics to the lifelike expressions of the subjects, transport us back to a bygone era. This beautiful, single object is a testament to the artistry and craftsmanship of the Georgian period and a poignant reminder of the simple joys of home and family.
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