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Piero di Cosimo, Pietro di Lorenzo, called (1462-1521)

Piero di Cosimo, Pietro di Lorenzo, called (1462-1521)


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Piero di Cosimo, Pietro di Lorenzo, called (1462-1521)

Piero di Cosimo, Pietro di Lorenzo, called (1462-1521). Portrait of Simonetta Vespucci. Renaissance art. Quattrocento. Florentine school. Tempera on wood. FRANCE. Chantilly. Mus饠 Cond頨 Cond頍 useum)

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Media ID 8277617

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10683193

Called Chantilly Cond Cosimo Feminine Florentine Lorenzo Piero Pietro Quattrocento Renaissance Tempera Vespucci Persons Simonetta


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EDITORS COMMENTS
Piero di Cosimo, also known as Pietro di Lorenzo, was a prominent Florentine artist of the Quattrocento period, active between 1462 and 1521. This exquisite portrait, titled "Portrait of Simonetta Vespucci," is a testament to his exceptional skill in capturing the essence of his subjects. Painted in tempera on wood, this masterpiece is now housed in the Musée Condé in Chantilly, France. Simonetta Vespucci, the subject of the portrait, was a woman of great beauty and charm, whose captivating presence left a lasting impact on the artistic community of Renaissance Florence. Her striking features, with her piercing gaze and delicate profile, are beautifully rendered by Piero di Cosimo. The artist's use of subtle shading and intricate detailing in her hair, clothing, and jewelry creates a sense of depth and realism that draws the viewer in. The portrait is a prime example of the Florentine school of art, which emphasized naturalism and individuality in portraiture. Piero di Cosimo's ability to convey the unique character and personality of his subjects set him apart from his contemporaries. The portrait of Simonetta Vespucci is a testament to his artistic prowess and his dedication to capturing the essence of the human spirit. The portrait remains an enduring symbol of the artistic achievements of the Renaissance period and continues to inspire artists and art lovers around the world. The Musée Condé in Chantilly is fortunate to have this masterpiece in its collection, providing a rare opportunity for visitors to connect with the past and appreciate the beauty and complexity of Renaissance art.

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