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Felicien Rops
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Felicien Rops
FELICIEN ROPS Belgian painter, engraver and lithographer Date: 1833 - 1898
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14265997
© Mary Evans Picture Library
1833 1898 Belgian Engraver Felicien Garret Lithographer Painter Spectacles Studying Rops
EDITORS COMMENTS
1. Title: "Felicien Rops in His Garret: A Study in Intense Concentration" Felicien Rops (1833-1898), a renowned Belgian painter, engraver, and lithographer, is captured in this evocative photograph as he immerses himself in his artistic pursuits. The image, taken likely in the late 19th century, depicts Rops in his humble garret studio, surrounded by the tools of his trade and the remnants of a creative life. The artist, dressed in a simple shirt and waistcoat, dons a pair of spectacles as he intently studies his work, his furrowed brow and focused gaze suggesting the depth of his concentration. Rops' artistic output spanned a wide range of media and genres, from the macabre and fantastical to the satirical and the erotic. His innovative techniques and unconventional subject matter earned him both critical acclaim and controversy during his lifetime. This photograph, however, offers a more intimate glimpse into the man behind the art, revealing the dedication and passion that fueled his prolific career. Historically, this image serves as a reminder of the often romanticized notion of the solitary artist, toiling away in a cluttered, dimly lit space, fueled by inspiration and driven by an insatiable desire to create. The photograph also underscores the importance of the garret as a symbol of artistic struggle and creativity, a motif that has been explored in literature, film, and art throughout history. In summary, this photograph of Felicien Rops in his garret studio offers a poignant and insightful look into the life of a groundbreaking artist, as well as a fascinating glimpse into the historical context of the artistic process during the late 19th century.
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