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Elizabeth Asquith at work

Elizabeth Asquith at work


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Elizabeth Asquith at work

Elizabeth Charlotte Lucy Asquith (1897-1945), later Princess Bibesco, English writer, daughter of British Prime Minister Herbert Asquith and his second wife, Margot. She married Prince Antoine Bibesco, a Romanian diplomat in 1920. Pictured working at the offices of the Three Arts Womens Employment Fund, where she was assisting in the toy industry department, and seen typewriting - an accomplishment which she had apparently just recently acquired. Date: 1917

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Media ID 14142847

© Illustrated London News Ltd/Mary Evans

Arts Asquiths Bibesco Charities Charity Clerical Employment Fund Herbert Offices Typewriter Typewriting Typing Voluntary Elizabeth


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EDITORS COMMENTS
In this evocative photograph, Elizabeth Charlotte Lucy Asquith, later known as Princess Bibesco, is captured in the midst of her work at the offices of the Three Arts Women's Employment Fund during World War I. Daughter of the British Prime Minister, Herbert Asquith, and his second wife, Margot, Elizabeth is seen intently focused on her typewriter, a recent accomplishment that allowed her to contribute effectively to the war effort. The Three Arts Women's Employment Fund was a voluntary organization established to help women find employment opportunities during the war, particularly in the clerical and industrial sectors. Elizabeth, an English writer, joined the toy industry department, using her creativity and organizational skills to make a meaningful impact. The image of Elizabeth at her desk, surrounded by papers and typewriter, is a testament to the resilience and determination of women during this period. As the First World War raged on the home front and the front lines, women like Elizabeth stepped up to fill the roles vacated by men who had gone off to fight. The photograph offers a glimpse into the historical context of the time, showcasing the important role women played in society during the war. Elizabeth's poised expression and focused demeanor reflect the dedication and commitment of countless women who worked tirelessly to support the war effort and maintain the social fabric of their communities. This portrait of Elizabeth Asquith, taken in 1917, is a poignant reminder of the indomitable spirit of women during a time of great upheaval and change. It also serves as a testament to the enduring power of charities and voluntary organizations in providing essential services and opportunities during times of crisis.

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