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Council of Vienne (1311), convened by the Pope Clement
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Council of Vienne (1311), convened by the Pope Clement
Council of Vienne (1311), convened by the Pope Clement V under pressure of the king Philip IV of France to suppress the Order of the Temple. Painting by Cesare Nebbia (1536-1614). Mannerism art. Fresco. VATICAN CITY. Bibliotheca Apostolica Vaticana (Vatican Library)
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Media ID 14182760
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1311 1536 1614 Bibliotheca Cesare Clement Convened Council Fresco Insides Mannerism Mannerist Mannerists Order Paintings Philip Pope Pressure Suppress Times Vatican Vienne Apostolica Masculine Nebbia Persons Vaticana
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This stunning fresco painting, titled "Council of Vienne (1311)," is a masterpiece by the Mannerist artist Cesare Nebbia, housed in the Vatican Library's Bibliotheca Apostolica Vaticana. The painting depicts the historic event of the same name, which was convened by Pope Clement V under intense pressure from King Philip IV of France to suppress the powerful Order of the Temple. The scene inside the grand hall is filled with an air of importance and intrigue. The central focus is on the pope, seated majestically on his throne, surrounded by cardinals and high-ranking clergy. To his right, King Philip IV stands, his presence felt even though he is not the central figure. The Order of the Temple's leaders, the Knights Templar, are shown in chains, their faces expressing a mix of defiance and resignation. The use of color in the painting is rich and vibrant, with deep reds, blues, and purples adding to the grandeur of the scene. The interior of the hall is adorned with intricate details, from the ornate columns to the intricately designed ceiling. The painting's Mannerist style is evident in the elongated figures and exaggerated gestures, which were popular during the early modern era. The Council of Vienne was a significant moment in Western history, marking the end of the Order of the Temple and leading to the eventual downfall of many other religious orders. This painting offers a glimpse into the past, transporting us back to a time of political intrigue, religious power struggles, and artistic innovation.
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