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Christopher Sly by Giovacchino Forzano
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Christopher Sly by Giovacchino Forzano
Christopher Sly by Giovacchino Forzano (19 November 1884 28 October 1970) translated by H. B. Cotterill and starring Matheson Lang (May 15, 1879 April 11, 1948). First produced at the New Theatre in London (now known as The Noel Coward Theatre) on 31st August 1921. Sly, in the blue cloak, has been taken from Shakespeares The Taming of the Shrew. He still drinks too much, but becomes a tragic figure, when, given a noblemans clothes and admitted to court, he kills himself because he cannot stand the mockery. The artist is Charles Buchel ). Date: 1921
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Media ID 14411531
© The Michael Diamond Collection / Mary Evans Picture Library
Christopher Cloak Jester Juggling Lang Matheson Monkey Musicians Nobleman Noblemen Shakespeare Shakespeares Shrew Taming Torch 1921 Cotterill Muscian
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EDITORS COMMENTS
This photograph print, titled "Christopher Sly" by Giovacchino Forzano, showcases Matheson Lang in the eponymous role, taken from Shakespeare's "The Taming of the Shrew." The image, first produced at the New Theatre in London (now known as The Noel Coward Theatre) on August 31, 1921, depicts Sly, dressed in a blue cloak and holding a torch, standing amidst a colorful scene of jesters, musicians, and women. Sly, a drunken jester, is shown here with a tragic air. Having been taken from Shakespeare's play and given the clothes of a nobleman, he is admitted to court. However, the mockery and derision he faces prove too much for him to bear, leading him to take his own life. The artist, Charles Buchel, masterfully captures the poignant moment of Sly's despair. Forzano's innovative adaptation of "The Taming of the Shrew," translated by H.B. Cotterill, brought a fresh perspective to the classic play. Matheson Lang's powerful performance as the tragic figure of Christopher Sly left a lasting impression on audiences. This photograph print is a testament to the enduring legacy of this groundbreaking production. The image, dated 1921, is a striking representation of the theatrical world of the early 20th century. The jester's melancholic expression, the nobleman's mocking laughter, and the vibrant costumes of the musicians and women all come together to create a captivating and thought-provoking scene.
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