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Chinese ixia, Belamcanda chinensis

Chinese ixia, Belamcanda chinensis


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Chinese ixia, Belamcanda chinensis

Chinese ixia, Belamcanda chinensis.. Handcolored copperplate engraving from a botanical illustration from William Curtiss Botanical Magazine, Lambeth, London, 1789

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14199276

© Florilegius / Mary Evans

Botanicalmagazine Williamcurtis


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> Arts > Literature > Magazines

> Europe > United Kingdom > England > London > Boroughs > Lambeth

> Europe > United Kingdom > England > London > Towns > Lambeth


EDITORS COMMENTS
This exquisite handcolored copperplate engraving showcases the captivating beauty of Chinese Ixia, Belamcanda chinensis, a rare and exotic bulbous plant native to China. The intricate details of its vibrant, tubular flowers are brilliantly rendered in this botanical illustration, published in the esteemed Botanical Magazine of London in 1789. The Botanical Magazine, also known as the "Journal of Botany," was founded in 1787 by William Curtis, a renowned English botanist, and was the first illustrated periodical devoted solely to botany. Curtis' groundbreaking publication aimed to document and disseminate knowledge of the natural world, making it an invaluable resource for botanists, horticulturists, and collectors alike. The Chinese Ixia, or Belamcanda chinensis, is a striking plant with its tall, leafless stems adorned with clusters of bright red, funnel-shaped flowers. The plant's common name, "Belamcanda," is derived from the Sanskrit words "belam," meaning beautiful, and "kanda," meaning root. The Chinese Ixia was a popular subject for botanical illustrations during the 18th and 19th centuries due to its allure and rarity. This particular illustration, with its meticulous handcoloring, showcases the artistry and dedication of the botanical illustrators of the time. The intricate details of the Chinese Ixia's petals, veins, and stamen are brought to life through the skillful use of watercolor paints. The resulting image is not only a testament to the beauty of the plant but also a window into the rich history of botanical illustration and the fascination with the natural world during the Age of Enlightenment.

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