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Bystander front cover - Marchioness of Queensberry

Bystander front cover - Marchioness of Queensberry


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Bystander front cover - Marchioness of Queensberry

Cathleen Mann (1896-1959), Artist; second wife of Francis A. Kelhead, 11th Marquess of Queensbury; daughter of Harrington Mann. Pictured on the front cover of The Bystander magazine in a colour photograph by Raphael. Date: 1930

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Media ID 7184077

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10513224

Aristocracy Aristocrat Bystander Cathleen Francis Harrington Mann Marchioness Marquess Queensberry Raphael


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> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Arts > Literature > Magazines

> Europe > United Kingdom > England > London > Towns > Queensbury

> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael > Raphael paintings


EDITORS COMMENTS
This cover image from the March 1930 issue of The Bystander magazine features the elegant and enigmatic Cathleen Mann, the Marchioness of Queensberry. The daughter of Harrington Mann, an esteemed British artist, Cathleen married Francis A. Kelhead, the 11th Marquess of Queensbury, in 1926. This colour photograph, expertly captured by the renowned Raphael, showcases the allure and sophistication of the aristocracy during the Roaring Twenties and early 1930s. The Marchioness of Queensberry is depicted in an exquisite gown, her expressive eyes captivating the viewer's attention. The background is simple, allowing the focus to remain on her striking features and the subtle elegance of her attire. The use of colour adds a vibrant and modern touch to the portrait, making it a standout among the black-and-white images that dominated the era. The Bystander was a popular society magazine of the time, known for its high-quality portraits and insightful articles on the lives of the rich and famous. This cover image, with its stunning composition and beautiful subject, perfectly encapsulates the glamour and intrigue of the 1930s aristocracy. The image is a testament to the power of photography to capture a moment in time and preserve it for future generations to appreciate. Cathleen Mann's marriage to the Marquess of Queensberry marked a significant moment in her life, as she became a member of one of the most prominent aristocratic families in Britain. Her image on the cover of The Bystander serves as a reminder of the enduring allure of the aristocracy and the role that magazines played in shaping public perception during the 1930s.

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