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The Benodellocinch

The Benodellocinch


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The Benodellocinch

The Benodellocinch. Illustration shows Benjamin B. Odell with two heads as he acts in the capacity of Governor of New York and as Chairman Rep. State Com. with the governor side wielding a quill pen labeled Veto Power over papers labeled Legislative favors and the chairman side holding out a tin cup labeled Campaign Contributions. Date 1904 April 13. The Benodellocinch. Illustration shows Benjamin B. Odell with two heads as he acts in the capacity of Governor of New York and as Chairman Rep. State Com. with the governor side wielding a quill pen labeled Veto Power over papers labeled Legislative favors and the chairman side holding out a tin cup labeled Campaign Contributions. Date 1904 April 13

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7356910

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10606533

Puck


EDITORS COMMENTS
This intriguing 1904 cartoon, titled "The Benodellocinch," depicts Benjamin B. Odell in a remarkable and humorous display of multitasking. Odell, a prominent political figure of his time, is illustrated with two distinct heads. One head represents his role as the Governor of New York, with a quill pen in hand and a stack of papers labeled "Legislative Favors" at his feet. The other head embodies his position as the Chairman of the Republican State Committee. In this guise, Odell is shown reaching out with a tin cup labeled "Campaign Contributions," indicating the fundraising aspect of his political duties. The cartoon, published in Puck magazine on April 13, 1904, offers a satirical commentary on the complexities and potential conflicts of holding multiple high-level political positions. The juxtaposition of the Governor's power to veto legislative favors and the Chairman's reliance on campaign contributions adds to the cartoon's intrigue and relevance to the political landscape of the early 20th century. The image, originally published in the Puck magazine, is a testament to the rich political satire of the era and offers a fascinating glimpse into the complexities of American politics during this period. This cartoon, with its clever use of symbolism and visual storytelling, continues to captivate and engage viewers, making it a valuable addition to any collection of historical political art.

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