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Alonso Cano / Adlard

Alonso Cano  /  Adlard


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Mary Evans Prints Online

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Alonso Cano / Adlard

ALONSO CANO Spanish painter, sculptor and architect Date: 1601 - 1667

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14272955

© Mary Evans Picture Library

1601 1667 Adlard Alonso Architect Cano Painter Sculptor Skullcap


EDITORS COMMENTS
This evocative image captures the enigmatic figure of Alonso Cano (1601-1667), the renowned Spanish painter, sculptor, and architect of the Baroque period. Dressed in dark clothes and donning a skullcap, Cano is depicted in a contemplative pose, holding a book open in his hands. The historical setting of this print, sourced from Mary Evans Prints Online, adds to the sense of intrigue and introspection. Born in Granada, Andalusia, Spain, Alonso Cano was a prolific artist whose works spanned various artistic genres. He is best known for his innovative and lifelike sculptures, which were characterized by their expressive and dynamic figures. Cano's mastery of anatomy and ability to capture the human form in motion set him apart from his contemporaries. As a painter, Cano excelled in the depiction of religious themes, producing works that were both emotionally charged and visually stunning. His architectural designs, influenced by Italian Baroque styles, showcased his versatility and creativity. Despite his many accomplishments, Cano's life was marked by personal tragedy and political upheaval. He lost his wife and several children at a young age, and his patron, the Duke of Medina Sidonia, fell out of favor with the Spanish court, forcing Cano to flee to Italy. This print, with its intimate and introspective portrayal of Cano, invites us to reflect on the complexities of the artist's life and the enduring impact of his work on the history of Spanish art. The dark clothes and skullcap add an air of mystery, while the open book suggests the endless pursuit of knowledge and creativity that defined Cano's life and legacy.

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