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Adrien Isenbrant (c. 1480 / 90-1551). Painter flemish. Renaiss
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Adrien Isenbrant (c. 1480 / 90-1551). Painter flemish. Renaiss
Adrien Isenbrant (c. 1480/90-1551). Painter flemish. Renaissance style. The Mystic Marriage of Saint Catherine of Alexandria. Alte Pinakothek, Munich, Germany. Europe. Pinakothek, Munich, Germany
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Adriaen Adrien Alexandria Alte Catherine Flemish Jesus Lamb Married Munich Mystic Netherlandish Painter Pinakothek Renaissance Rosary Virgin Artish Isenbrandt Isenbrant Ysenbrandt
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Adrien Isenbrant (c. 1480/90-1551): A Flemish Master of the Renaissance Adrien Isenbrant, also known as Adriaen Isenbrant, Adriaen Hysenbrant, or Adriaan Ysenbrant, was a prominent Flemish painter active during the Renaissance period. Born around 1480/90 in the Northern Netherlands, Isenbrant is known for his exquisite religious and mythological works. This print showcases one of his most famous pieces, "The Mystic Marriage of Saint Catherine of Alexandria," which is now housed at the Alte Pinakothek in Munich, Germany. The painting depicts Saint Catherine of Alexandria, a legendary virgin and martyr, in a mystical union with Christ. The scene is set in a richly decorated interior, with the Virgin Mary and the Christ Child present as witnesses. Saint Catherine, dressed in regal attire, holds a golden spiked wheel, symbolizing the instrument of her martyrdom. Jesus, in the guise of a young man, tenderly embraces her, while the Lamb of God rests at their feet. The painting's intricate details and lifelike figures reflect the artistic influences of the Italian Renaissance, which had a profound impact on Flemish art during this period. Isenbrant's mastery of light, color, and composition is evident in this work. The delicate rendering of the rosary beads in Mary's hand and the intricate folds of Catherine's robes demonstrate his exceptional skill. The painting's emotional depth and spiritual intensity continue to captivate viewers, making it a cherished masterpiece of Flemish art and a testament to Isenbrant's artistic genius.
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