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A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: AE

A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: AE


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: AE

A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: " AE 46", Marcus Gheeraerts the Younger, 1561-1635, Flemish

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12646517

© Quint Lox Limited

1561 1635 Called Chain Costume Crest Dated Elizabeth Flemish Lace Lady Marcus Oil On Panel Plants Ring Ruff Snake Upper Wealth Yellow Younger Gheeraerts Knightley Marcus Gheeraerts The Younger


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> Arts > Artists > G > Marcus Gheeraerts


EDITORS COMMENTS
In this portrait titled "A Woman Called Lady Elizabeth Knightley" we are transported back in time to the 16th century. Painted by Marcus Gheeraerts the Younger, a Flemish artist known for his exquisite attention to detail, this oil on panel print showcases his remarkable talent. Lady Elizabeth Knightley is depicted with grace and elegance, her regal presence emphasized by her elaborate costume and accessories. The vibrant yellow paint in the upper right corner indicates that she was aged 46 at the time of this painting. Her lace collar and chain necklace add a touch of sophistication, while her crest symbolizes her noble lineage and wealth. The artist's skillful use of light and shadow brings out the intricate details of Lady Elizabeth's face, capturing both her beauty and wisdom. A small snake slithers across the bottom left corner, adding an intriguing element to the composition. Surrounded by delicate flowers and plants, Lady Elizabeth exudes a sense of serenity amidst nature's beauty. A ring adorns one finger as a subtle reminder of love or commitment. This print from Liszt Collection transports us into an era long gone but forever preserved through art. It serves as a testament to Marcus Gheeraerts' mastery in capturing not only physical likeness but also the essence of his subjects' personalities.

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