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THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings

THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings


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THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings

THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith. The shield commemorate the victories of the Duke of Wellington. UK, britain, british, europe, united kingdom, great britain, european

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12831103

© Quint Lox Limited

1755 1820 1834 Benjamin Smith Britain Commemorate Duke Of Wellington Engravings Great Britain Made Shield Silver Shield Thomas Stothard United Kingdom Victories Wellington Shield


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The Wellington Shield

EDITORS COMMENTS
is a magnificent piece of art that captures the essence of British history and celebrates the victories of the Duke of Wellington. Created in 1820 by Thomas Stothard, a renowned artist known for his engravings, this silver shield stands as a testament to the bravery and triumphs of one of Britain's greatest military leaders. Crafted by Benjamin Smith, the shield itself is an exquisite workmanship that showcases intricate details and expert craftsmanship. The engravings on its surface depict scenes from significant battles fought by the Duke, immortalizing these moments for generations to come. This engraved image transports us back to 19th century Europe, offering a glimpse into Victorian culture and artistic techniques. Its retro style evokes nostalgia while reminding us of the rich heritage that shaped Great Britain. As we admire "The Wellington Shield" we are reminded not only of its historical significance but also its cultural value. It serves as a symbol of national pride and unity, representing the strength and resilience that define British identity. Whether displayed in a museum or adorning someone's private collection, this vintage print holds immense historical importance. It allows us to appreciate both Stothard's illustrative technique and Smith's masterful silverwork while immersing ourselves in an era long gone but never forgotten.

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