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wall clock snake. ear long March 15 1916 pencil

wall clock snake. ear long March 15 1916 pencil


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Liszt Collection

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wall clock snake. ear long March 15 1916 pencil

The wall clock = snake. One ear long, March 15, 1916, pencil and crayon, sheet: 64.9 x 49.8 cm, recto [1] The clock = snake. A long ear. [2] Above: Salvation. Unity, violins = butterfly and scissors. Untten, Skt. Margareeta, Kravatten = Falter, u. Scissors. [3] The Coiffoir. [4] Coiffoir. [5] Target =, key. March, beginning. [6] D r Kukuk in, the E = ke: On the Fidla nida, nitt :: Am Ludla wida, [7] Gee =, Nottel. [8] W. = clock = Schl. Karolina: 1 Zohorn, 986 Xantteron Zohrn for a full hour. [9] Portrait = value, 1, 250, 000 francs. Skt. Adolf: Bern: Switzerland: March 15, 1, 916. Frrrrrrrt, . [10] Getz. Skt. Adolf: Bern. Verso without text (verso from third-hand date: 9. III. 1916.), Adolf Wolfli, Bowil/Bern 1864-1930 Bern

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19591196

© Artokoloro


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> Animals > Insects > Butterflies > Wall Butterfly

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> Europe > Switzerland > Bern

> Europe > Switzerland > Posters

> Europe > Switzerland > Related Images


EDITORS COMMENTS
This print titled "Wall Clock Snake" is a mesmerizing piece of art created by Adolf Wolfli in 1916. The intricate details and symbolism within the artwork make it truly unique. The image showcases a snake-like figure formed by a wall clock, with one elongated ear extending from its head. It is surrounded by various elements that hold significant meaning. Above the clock-snake, we see the words "Salvation" and symbols of unity represented by violins shaped like butterflies and scissors. Further down, there are references to Skt. Margareeta and Kravatten (ties) transforming into butterflies through the use of crayon and pencil strokes. The artist also includes depictions of a coiffoir (hairdresser), emphasizing personal grooming as an essential aspect of life. Intriguingly, there is a target with a key symbolizing new beginnings in March. Dr Kukuk appears on this part of the artwork alongside musical notes suggesting his involvement in music composition or performance. Towards the bottom, W. , possibly referring to Wolfli himself, connects to Schl Karolina: 1 Zohorn, 986 Xantteron Zohrn for an entire hour - perhaps representing some form of measurement or achievement. Lastly, we find mention of portraits valued at 1,250,000 francs attributed to Skt. Adolf: Bern: Switzerland on March 15th - indicating possible importance or worth assigned to these artworks. Overall, this en

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