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Woman Attended Servants Emblematic Symbol Sceptre

Woman Attended Servants Emblematic Symbol Sceptre


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Woman Attended Servants Emblematic Symbol Sceptre

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14013563

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1783–1872 1810–20 229 292 Cm 9 X 11 1 2 Horncastle Lincolnshire Pennsylvania Philadelphia Sceptre Servants Sketchbook Thomas Sully


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Thomas Sully

> Europe > United Kingdom > England > Lincolnshire > Horncastle

> Liszt Collection > Sketches

> North America > United States of America > Pennsylvania > Philadelphia


EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable artwork titled "Woman Attended Servants Emblematic Symbol Sceptre" by Thomas Sully, an esteemed American artist. Created between 1810 and 1820, this sketchbook drawing is executed with ink and wash on paper, measuring 9 x 11 1/2 inches (229 x 292 cm). Sully's masterful depiction transports us to a bygone era where elegance and opulence reigned supreme. The central figure, a woman of regal stature, holds an emblematic symbol sceptre in her hand. Surrounding her are attendants who dutifully serve their mistress with grace and poise. The meticulous attention to detail in this piece is truly awe-inspiring. Sully's skilled use of ink and wash brings depth and dimension to each stroke, capturing the delicate features of the figures as well as the intricate patterns adorning their garments. Born in Horncastle, Lincolnshire in 1783 but later settling in Philadelphia, Pennsylvania, Thomas Sully was renowned for his ability to capture both likeness and character through portraiture. This particular work exemplifies his talent for storytelling through art. As we gaze upon this mesmerizing print from Artokoloro's collection, we are transported back in time to witness a moment frozen forever on paper – a testament to the skill of both artist and subject alike.

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