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Sculpture, Charles James Fox Chiseled on front of socle: C. J. FOX | AE1. 43
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Sculpture, Charles James Fox Chiseled on front of socle: C. J. FOX | AE1. 43
Sculpture, Charles James Fox Chiseled on front of socle: " C. J. FOX | AE1. 43." ; on supporting column on back of bust: " Charles James Fox | Aged 43." Signed and dated by chisel on supporting column on back of bust: " Nollekens Ft. | 1792.", Joseph Nollekens, 1737-1823, British
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12646197
© Quint Lox Limited
1737 1792 1823 Back Bust Charles Chisel Chiseled Column Dated Draughtsman Front James Joseph Joseph Nollekens Marble Nollekens Politician Sculptor Signed Supporting Socle
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This print showcases a remarkable sculpture by Joseph Nollekens, a renowned British artist and sculptor of the 18th century. The subject of this exquisite marble portrait is none other than Charles James Fox, an influential politician of his time. The attention to detail in this artwork is truly exceptional. Chiseled on the front of the socle, we find the inscription "C. J. FOX | AE1.43" revealing both the identity and age of the sitter at the time this masterpiece was created. On the supporting column at the back of the bust, another inscription reads "Charles James Fox | Aged 43" further emphasizing his age during its conception. The signature and date engraved by chisel on this supporting column proudly declare that it was crafted by none other than Joseph Nollekens himself in 1792. This piece stands as a testament to Nollekens' artistic prowess and his ability to capture not only physical likeness but also convey depth and character through his sculptures. Displayed against a neutral background, every curve and contour of Charles James Fox's face comes alive in stunning clarity through this photograph. It serves as a timeless reminder of both Nollekens' talent as well as Fox's significant role in British politics during that era. This print from Liszt Collection offers art enthusiasts an opportunity to appreciate one of Joseph Nollekens' masterpieces up close without any commercial connotations attached to it.
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