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Receipt of Cornelis de Bruyn as a new member of the Bentvueghels, 1674, Caspar Luyken

Receipt of Cornelis de Bruyn as a new member of the Bentvueghels, 1674, Caspar Luyken


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Receipt of Cornelis de Bruyn as a new member of the Bentvueghels, 1674, Caspar Luyken

Receipt of Cornelis de Bruyn as a new member of the Bentvueghels, 1674, Caspar Luyken, 1698

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12721139

© Quint Lox Limited

1674 1698 Artists Birds Bruyn Caspar Luyken Company Cornelis Crowned December Foreground Friend Group Hand Laurel Like Member Members Priest Soldier Surrounded Swiss Sword Wreath Receipt


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> Arts > Artists > B > Cornelis de Bruyn

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
In this print titled "Receipt of Cornelis de Bruyn as a new member of the Bentvueghels" we are transported back to the year 1674, witnessing an important moment in Dutch art history. The image captures the grandeur and significance of this occasion, beautifully depicted by Caspar Luyken in 1698. At the center of attention stands Cornelis de Bruyn, his head held high like a priest, with a sword in hand symbolizing his commitment to artistic excellence. He is crowned with a laurel wreath, signifying his achievement and recognition within the esteemed company. Surrounding him are fellow members of Bentvueghels, forming a tight-knit group that shares their passion for art. The foreground showcases an intriguing mix of characters - from De Bruyn's friend who appears to be a Swiss soldier to various birds perched nearby. This eclectic gathering reflects the diverse backgrounds and nationalities present among these Dutch artists residing in Rome during that time. Caspar Luyken's masterful composition transports us into this historical moment where talent and camaraderie converge. Through Quint Lox's lens, we can appreciate not only the artistic prowess captured on canvas but also sense the vibrant energy pulsating within this community. This print serves as both a visual testament to De Bruyn's induction into Bentvueghels and an homage to Dutch artists who sought inspiration beyond their homeland during one of Europe's most influential periods for arts and culture.

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