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Raphael Morghen (aka Raffaello Morghen, Italian, 1758-1833) after Antonio Canova (Italian

Raphael Morghen (aka Raffaello Morghen, Italian, 1758-1833) after Antonio Canova (Italian


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Raphael Morghen (aka Raffaello Morghen, Italian, 1758-1833) after Antonio Canova (Italian

Raphael Morghen (aka Raffaello Morghen, Italian, 1758-1833) after Antonio Canova (Italian, 1757 - 1822). Theseus with the Slain Minotaurus. Engraving. Second state

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12699137

© Quint & Lox Limited

1757 1758 1822 1833 Antonio Canova Expression Second State Theseus Raphael Morghen


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> Arts > Artists > C > Antonio Canova

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael > Raphael paintings


EDITORS COMMENTS
This print showcases the artistic brilliance of Raphael Morghen, also known as Raffaello Morghen, an Italian engraver from the 18th century. The subject of this exquisite piece is a reproduction of Antonio Canova's masterpiece - Theseus with the Slain Minotaurus. Morghen skillfully captures every intricate detail of Canova's sculpture through his precise engraving technique. The lines are delicately etched onto the surface, creating a stunning contrast between light and shadow. This second state engraving exemplifies Morghen's mastery in capturing not only the physical form but also the emotional depth portrayed by Canova. The image depicts Theseus, a Greek hero, standing triumphantly over the slain Minotaur - a mythical creature with a human body and bull head. Through this powerful scene, both artists convey themes of courage, strength, and victory over evil. As we gaze upon this remarkable illustration, we are transported to another time - one filled with creativity and beauty. The old-world elegance emanating from this artwork reminds us of the rich cultural heritage that has shaped our present-day appreciation for art. In its creative expression and attention to detail, this print serves as a testament to both Morghen's talent as an engraver and Canova's genius as a sculptor. It stands as an enduring reminder of their contributions to art history – an embodiment of timeless beauty captured on paper.

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