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Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley
Wall Art and Photo Gifts from Liszt Collection
Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley
Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley An Unknown Woman, Called Lady Hippisley, signed and dated 1785 Signed and dated in ocher-color paint, left center: " POMPEO : DE | BATONI PINX. | ROMA 1785" [possibly later addition], Pompeo Batoni, 1708-1787, Italian
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12648131
© Quint Lox Limited
1708 1785 1787 Addition Batoni Called Center Costume Dated Grand Identified Lady Margaret Ocher Color Oil On Canvas Oval Pinx Pompeo Batoni Possibly Shawls Signed Stuart Tour Traditionally Unknown Pompeo
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This portrait, titled "Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley" is a stunning print that captures the essence and beauty of an unknown woman. Painted by Pompeo Batoni in 1785, this oil on canvas masterpiece showcases his incredible talent and attention to detail. The subject of the painting is elegantly dressed in a grand costume with exquisite shawls draped around her shoulders. Her oval-shaped face exudes grace and poise, while her eyes hold a hint of mystery. The artist's use of ocher-color paint adds warmth and depth to the overall composition. The identity of the woman has been traditionally associated with Margaret Stuart, Lady Hippisley. However, there remains some uncertainty surrounding her true identity. Regardless, this enigmatic figure continues to captivate viewers with her timeless allure. Batoni's signature can be seen in left center: "POMPEO : DE | BATONI PINX. | ROMA 1785". It serves as a testament to the artist's skill and craftsmanship during this period. This print from the Liszt Collection allows art enthusiasts to bring home a piece of history and appreciate Batoni's mastery firsthand. Whether displayed in a gallery or adorning one's personal space, this portrait invites contemplation and admiration for both its artistic merit and historical significance.
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