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Portrait Georgius Iconolatra Georgius Iconolatra

Portrait Georgius Iconolatra Georgius Iconolatra


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Liszt Collection

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Portrait Georgius Iconolatra Georgius Iconolatra

Portrait of Georgius Iconolatra Georgius Iconolatra (title on object) History of the churches and heretics (...) until the year onses Heeren 1688 (series title), Portrait of Georgius Iconolatra from a series of portraits in History of Churches and Chatter from the Beginning of the New Testament to the year Onses Heeren 1688 by Godfried Arnold (1701), Georgius Iconolatra, Romeyn de Hooghe, Netherlands, 1701, paper, engraving, h 267 mm × w 157 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19540569

© Artokoloro


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EDITORS COMMENTS
This print showcases the intriguing "Portrait of Georgius Iconolatra" from a renowned series titled "History of the churches and heretics (. . . ) until the year onses Heeren 1688". Created by Romeyn de Hooghe in the Netherlands in 1701, this exquisite engraving on paper measures approximately 267 mm in height and 157 mm in width. The portrait itself is a testament to the artistic brilliance of both de Hooghe and his subject, Georgius Iconolatra. With meticulous attention to detail, de Hooghe captures every nuance of Iconolatra's countenance, revealing a man whose presence commands respect and curiosity. The lines etched onto paper seem to come alive as they depict an individual who has played a significant role within religious circles. Godfried Arnold's influential book serves as the backdrop for this remarkable portrait. As part of his comprehensive exploration into church history and theological debates, Arnold included this striking image among other portraits that shed light on key figures throughout Christianity's evolution. This particular print from the Liszt Collection offers viewers an opportunity to delve into historical narratives while appreciating exceptional artistry. Whether one is drawn to religious studies or simply captivated by masterful engravings, this print invites contemplation and reflection upon centuries-old stories that continue to shape our understanding of faith and its complexities.

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