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A Oreade, with spectacles on nose, removing a thorn from the foot of a satyr, the

A Oreade, with spectacles on nose, removing a thorn from the foot of a satyr, the


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

A Oreade, with spectacles on nose, removing a thorn from the foot of a satyr, the

A Oreade, with spectacles on nose, removing a thorn from the foot of a satyr, the satyr is supported by a female and a young Oreade, print maker: Jan Harmensz. Muller (mentioned on object), Dating 1630 - 1656

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12744341

© Quint Lox Limited

Cornelis Danckerts Female Foot Hills Jan Harmensz Muller Latin Nose Nymphs Removing Satyr Spectacles Text Thorn Young Harmen Jansz Spinario


EDITORS COMMENTS
In this print titled "A Oreade, with spectacles on nose, removing a thorn from the foot of a satyr" we are transported to a mythical world where nature and compassion intertwine. The image showcases a remarkable scene as an elderly Oreade delicately tends to the injured foot of a satyr while being supported by a compassionate female figure and a young Oreade. The attention to detail is exquisite - from the intricate folds in their garments to the expressions of concern etched upon their faces. The satyr's pain is palpable, yet he finds solace in the gentle touch of his caretakers. It is as if time stands still in this moment of tenderness amidst the rolling hills that serve as their backdrop. Jan Harmensz. Muller, renowned for his masterful prints, has beautifully captured this poignant encounter between mythological beings. His skillful use of light and shadow adds depth and emotion to every element within the frame. As we gaze at this enchanting composition, we cannot help but be reminded of our own capacity for empathy and kindness towards others. Quint Lox's inclusion of Latin text further invites us into this ancient tale, encouraging us to reflect on our shared humanity across centuries. This print from Liszt Collection serves as both an artistic marvel and an evocative reminder that even in fantastical realms, acts of compassion can bridge divides and heal wounds – both physical and metaphorical

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