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Number two flower Japanese poetry Kotoba no hana

Number two flower Japanese poetry Kotoba no hana


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Liszt Collection

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Number two flower Japanese poetry Kotoba no hana

Number two: the flower of Japanese poetry Kotoba no hana (title on object) A comparison of flowers (series title) Hana awase (series title on object), Reading woman sitting at a table, on which a vase with brushes and peacock feathers. With three poems, reading, Shigenobu (II), Yanagawa (mentioned on object), Japan, c. 1820 - c. 1830, paper, colour woodcut, h 216 mm × w 178 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19544133

© Artokoloro

1820 1830 Brushes Colour Woodcut Comparison Reading Series Title Shigenobu Table Three Poems Title Vase Yanagawa Mentioned Number Two Peacock Feathers


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EDITORS COMMENTS
This print titled "Number two: the flower of Japanese poetry Kotoba no hana" takes us back to a bygone era in Japan. The image showcases a serene scene, with a woman engrossed in her reading as she sits at a beautifully adorned table. The table is adorned with an exquisite vase filled with brushes and delicate peacock feathers, adding an air of elegance to the composition. The print also features three poems that accompany the visual narrative, enhancing the overall artistic experience. Created between 1820 and 1830, this paper color woodcut exemplifies the mastery of traditional Japanese artistry during this period. The juxtaposition of flowers becomes apparent through this series titled "Hana awase" inviting viewers to appreciate their beauty while drawing comparisons between them. The attention to detail and meticulous craftsmanship evident in every brushstroke further emphasizes the skillful execution of this artwork. Although we do not know much about Shigenobu (II) or Yanagawa mentioned on the object, their contributions are undoubtedly significant within Japanese literary circles. This print from Liszt Collection serves as both a visual delight and an insightful glimpse into Japanese culture and aesthetics from centuries ago. It transports us to a world where poetry intertwines seamlessly with art, leaving us captivated by its timeless allure.

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