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Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar

Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar


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Liszt Collection

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Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar

Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 29 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 21 x 26.2 cm (8 1/4 x 10 5/16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18465182

© Liszt Collection

1604 1682 1743 1822 1776 Brown Cattle Claude Lorrain John Boydell Liber Veritatis Mezzotint Printed Richard Earlom


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Bovidae > Cattle

> Arts > Artists > B > John Boydell

> Arts > Artists > E > Richard Earlom

> Arts > Artists > L > Claude Lorrain


EDITORS COMMENTS
This print showcases "Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar" a remarkable artwork created in 1776. The piece was masterfully executed by Richard Earlom, a British artist renowned for his etching and mezzotint skills. Earlom skillfully reproduced the original work of Claude Lorrain, an esteemed French painter from the 17th century. The composition depicts a serene landscape with cattle grazing peacefully under the watchful eye of an angel comforting Hagar. The scene exudes tranquility and offers viewers a glimpse into a moment of divine solace amidst nature's beauty. The brown hues used in this print add warmth to the overall atmosphere, enhancing its emotional impact. Measuring at approximately 29 x 43 cm (11 7/16 x 16 15/16 in. ), this print captures every intricate detail of the original artwork on high-quality paper. Its platemark measures about 21 x 26.2 cm (8 1/4 x10 5/16 in. ), ensuring that no element is lost or compromised. This particular piece belongs to the Liber Veritatis series curated by John Boydell, which aimed to reproduce famous artworks through etching and mezzotint techniques. It is important to note that this caption does not refer to any commercial use but rather focuses solely on appreciating and describing this exquisite print from Liszt Collection

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