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Judas Receiving Thirty Pieces Silver Simon Bening

Judas Receiving Thirty Pieces Silver Simon Bening


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Liszt Collection

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Judas Receiving Thirty Pieces Silver Simon Bening

Judas Receiving the Thirty Pieces of Silver; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525-1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 × 11.4 cm (6 5, 8 × 4 1, 2 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18495035

© Liszt Collection

1483 1525–1530 1561 168 × 114 Cm 8 × 4 1 Belgium Bruges Flemish Gold Leaf Gold Paint Silver Simon Bening Tempera Colors Parchment


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> Arts > Artists > B > Simon Bening

> Europe > Belgium > Bruges


EDITORS COMMENTS
This print showcases the masterpiece "Judas Receiving Thirty Pieces Silver" by Simon Bening, a renowned Flemish artist from the 16th century. Created in Bruges, Belgium around 1525-1530, this artwork is a testament to Bening's exceptional talent and attention to detail. Using tempera colors, gold paint, and gold leaf on parchment, Bening brings to life the dramatic moment when Judas Iscariot receives his infamous payment for betraying Jesus Christ. The composition captures the tension and conflict within Judas as he clutches the thirty pieces of silver in his hand. Measuring approximately 16.8 x 11.4 cm (6 5/8 x 4 1/2 inches), this small but impactful leaf transports viewers back in time to witness this pivotal event in biblical history. The intricate brushwork and delicate use of gold accents add depth and richness to the scene. Simon Bening's mastery shines through as he expertly portrays emotions through facial expressions and body language. Each figure is meticulously rendered with meticulous attention to detail, showcasing Bening's skillful technique. This print from Liszt Collection allows art enthusiasts worldwide to appreciate the beauty of Simon Bening's work without commercial intentions or usage restrictions. It serves as a reminder of how art can transcend time and space, evoking powerful emotions even centuries after its creation.

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