Iwai shijyaku no mukan no tayA atsumori, The actor Iwai Shijaku in the role of Mukan

Wall Art and Photo Gifts from Liszt Collection

Iwai shijyaku no mukan no tayA atsumori, The actor Iwai Shijaku in the role of Mukan

Iwai shijyaku no mukan no tayA atsumori, The actor Iwai Shijaku in the role of Mukan TayA Atsumori. Utagawa, Toyokuni, 1786-1865, artist, [between 1830 and 1835], 1 print : woodcut, color; 37.6 x 25.7 cm. Print shows Iwai Shijaku, an actor, portraying the warrior Taira no Atsumori riding on horseback through crashing waves to escape the Minamoto warriors

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12670493

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1786 1865 1830 1835 Actor Escape Horseback Iwai Minamoto Portraying Riding Role Shijaku Shows Taira Toyokuni Utagawa Warrior Warriors Waves Atsumori Crashing

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EDITORS COMMENTS
In this woodcut print titled "Iwai Shijyaku no Mukan no Tayu Atsumori" we are transported to a dramatic scene from Japanese theater. Created by the renowned artist Utagawa Toyokuni between 1830 and 1835, this vibrant artwork measures 37.6 x 25.7 cm. The focal point of the print is Iwai Shijaku, a talented actor who takes on the role of Mukan Tayu Atsumori with great intensity. Dressed as the warrior Taira no Atsumori, he skillfully portrays his character riding on horseback through crashing waves in an attempt to escape the Minamoto warriors. The use of color in this woodcut adds depth and emotion to the scene, enhancing our connection with Shijaku's portrayal of Atsumori's desperate struggle for survival. The crashing waves symbolize both danger and determination, highlighting the bravery required for such a daring escape. Utagawa Toyokuni masterfully captures every detail in this print, showcasing his exceptional artistic talent. From Shijaku's expressive face to the intricate patterns on his costume, each element contributes to creating a visually stunning composition that draws us into this thrilling moment from Japanese history. This remarkable artwork from The Liszt Collection allows us to appreciate not only Toyokuni's craftsmanship but also Iwai Shijaku's extraordinary skills as an actor. It serves as a testament to their enduring legacy within Japanese theater and provides us

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