house terrace looking south overlay down Humphry Repton

Wall Art and Photo Gifts from Liszt Collection

house terrace looking south overlay down Humphry Repton

From the house and terrace looking south: overlay down, Humphry Repton architecture and landscape designs, 1807-1813, Report concerning the gardens at Ashridge, respectfully submitted to the Earl of Bridgewater, Repton, Humphry, 1752-1818, Pencil, ink and watercolor on paper, 1813, Two page spread, numbered page 10, with overlays to show different views. View from the terrace

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18503280

© Liszt Collection

1752 1818 1807 1813 1813 Ashridge Bridgewater Earl Gardens Humphry Humphry Repton Landscape Designs Numbered Page Pencil Report Concerning Repton Respectfully Submitted South Spread Terrace

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EDITORS COMMENTS
This print showcases the exquisite beauty of a house terrace looking south, as envisioned by the renowned architect and landscape designer Humphry Repton. Created between 1807 and 1813, this artwork is part of Repton's architectural and landscape designs collection. The piece titled "From the house and terrace looking south: overlay down" offers a glimpse into the stunning gardens at Ashridge. Repton's meticulous attention to detail is evident in this pencil, ink, and watercolor masterpiece on paper. The year 1813 marks its creation, with this particular spread being numbered page 10 of an enchanting two-page series. What makes this artwork truly unique are the overlays that reveal different views from the terrace. With utmost respect, Repton submitted his report concerning these remarkable gardens to none other than the Earl of Bridgewater himself. This print captures not just a picturesque view but also pays homage to Repton's talent for seamlessly blending architecture with nature. As you gaze upon this image, let your imagination transport you to that very terrace where you can witness nature unfolding before your eyes. Experience the serenity emanating from every brushstroke as you take in each intricate detail meticulously captured by Humphry Repton over two centuries ago.

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