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GA no ne mo denpAc, The crying sounds of a telegram. Kobayashi, Kiyochika, 1847-1915
Wall Art and Photo Gifts from Liszt Collection
GA no ne mo denpAc, The crying sounds of a telegram. Kobayashi, Kiyochika, 1847-1915
GA no ne mo denpAc, The crying sounds of a telegram. Kobayashi, Kiyochika, 1847-1915, artist, 1904. 1 print : woodcut, color; 36.9 x 24.4 cm. Print shows head-and-shoulders portraits of a Western couple, the man holding a large sheet of paper (the telegram) and looking distressed, the woman with tears in her eyes
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12669549
© Quint Lox Limited
1847 1915 1904 Couple Crying Distressed Eyes Head And Shoulders Holding Kiyochika Kobayashi Large Portraits Shows Tears Western Sounds Telegram
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EDITORS COMMENTS
In this woodcut print titled "GA no ne mo denpAc, The crying sounds of a telegram" created by the talented artist Kobayashi Kiyochika in 1904, we are transported to a poignant moment captured within the frame. The artwork measures 36.9 x 24.4 cm and showcases head-and-shoulders portraits of a Western couple. The man is depicted holding a large sheet of paper, which represents the telegram that has brought distress upon him. His face is etched with worry and anguish as he grapples with the news delivered through this medium. Meanwhile, his companion, portrayed with tears welling up in her eyes, stands beside him offering solace during this trying time. Kobayashi's masterful use of color adds depth and emotion to the scene, further intensifying its impact on viewers. Through his skillful woodcut technique, he manages to convey not only the physical appearance but also the emotional turmoil experienced by these individuals. This powerful image serves as a reminder of how communication can deeply affect our lives and emotions. It invites us to reflect on our own experiences with receiving unexpected news or facing challenging circumstances conveyed through modern means like telegrams once did. Quint Lox's appreciation for this remarkable piece from Liszt Collection highlights its artistic significance beyond any commercial considerations or company affiliations it may have had originally.
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