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Fall Redemption Man Presentation Virgin Temple

Fall Redemption Man Presentation Virgin Temple


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Liszt Collection

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Fall Redemption Man Presentation Virgin Temple

The Fall and Redemption of Man: The Presentation of the Virgin in the Temple, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18477553

© Liszt Collection

1480 1538 1515 Albrecht Altdorfer Fall Presentation Redemption Temple


EDITORS COMMENTS
In this woodcut print titled "Fall Redemption Man Presentation Virgin Temple" created by Albrecht Altdorfer in 1515, we are transported to a scene of profound spiritual significance. The artist, known for his intricate attention to detail and masterful use of woodcut technique, beautifully captures the essence of this biblical narrative. The image depicts the momentous occasion when the young Virgin Mary is presented in the temple. Bathed in ethereal light that filters through stained glass windows, she stands at the center of attention as priests and onlookers gather around her. Altdorfer's meticulous rendering brings every figure to life; their expressions convey awe and reverence as they witness this pivotal event. Symbolism abounds within this artwork – from the fall of man represented by Adam and Eve lurking in shadows, reminding us of humanity's original sin, to Mary herself embodying redemption through her immaculate conception. The juxtaposition between darkness and light further emphasizes these contrasting themes. Altdorfer's skillful use of line work creates a sense of depth and texture throughout the composition. Each delicate stroke adds dimensionality to architectural elements such as arches, columns, and ornate details adorning the temple walls. This remarkable print from Liszt Collection serves as a testament to both religious devotion and artistic mastery. It invites viewers into an ancient world where faith intertwines with human experience—a timeless reminder that redemption can be found even amidst our darkest moments.

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