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Fall Redemption Man Christ Appearing St. Mary Magdalen

Fall Redemption Man Christ Appearing St. Mary Magdalen


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Liszt Collection

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Fall Redemption Man Christ Appearing St. Mary Magdalen

The Fall and Redemption of Man: Christ Appearing to St. Mary Magdalen, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18477586

© Liszt Collection

1480 1538 1515 Albrecht Altdorfer Christ Appearing Fall Redemption St Mary Magdalen


EDITORS COMMENTS
This print showcases the profound artwork titled "Fall Redemption Man Christ Appearing St. Mary Magdalen" by Albrecht Altdorfer, a renowned German artist from the 16th century. Created in 1515 through the technique of woodcut, this masterpiece beautifully captures a pivotal moment in religious history. The image depicts Jesus Christ appearing to St. Mary Magdalene after his resurrection, symbolizing the redemption and salvation of mankind. The intricate details and meticulous craftsmanship of Altdorfer are evident in every stroke, as he skillfully portrays the emotions and expressions on both figures' faces. The composition is filled with rich symbolism that invites contemplation and reflection. The fall of man is represented by Adam's expulsion from paradise, while Eve mourns their loss beside him. In contrast, Mary Magdalene kneels before Christ with an expression of awe and gratitude for his divine presence. Altdorfer's use of light and shadow adds depth to the scene, emphasizing the spiritual significance of this encounter between humanity and divinity. The woodcut medium enhances the dramatic effect by creating bold lines that emphasize each figure's form. As we gaze upon this remarkable print from Liszt Collection, we are reminded not only of Altdorfer's artistic genius but also of our own journey towards redemption. It serves as a powerful reminder that even in moments of despair or doubt, there is always hope for renewal and forgiveness through faith in Christ's love and grace.

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