Demons Dragging Tondal into the Infernal Cistern

Wall Art and Photo Gifts from Liszt Collection

Demons Dragging Tondal into the Infernal Cistern

Demons Dragging Tondal into the Infernal Cistern; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 36.3 x 26.2 cm (14 5/16 x 10 5/16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12655223

© Quint Lox Limited

1450 1475 1489 Belgium Cistern Colors Demons Dragging Flemish Ghent Marmion Simon Simon Marmion Infernal Parchment Tempera

FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Simon Marmion

> Europe > Belgium > Ghent

EDITORS COMMENTS
This print showcases the mesmerizing artwork titled "Demons Dragging Tondal into the Infernal Cistern" by Simon Marmion, a Flemish artist active during the 15th century. Created in Ghent, Belgium in 1475, this masterpiece is rendered using tempera colors, gold leaf, gold paint, and ink on parchment. The scene depicted in this artwork is both haunting and intriguing. It portrays a group of menacing demons dragging Tondal towards an infernal cistern. The composition skillfully captures the terror and despair that consumes Tondal as he faces his impending doom. The intricate details of each demon's grotesque features add to the overall sense of dread. Marmion's exceptional craftsmanship shines through in every brushstroke and delicate application of gold leaf. This piece exemplifies his mastery over color and texture, creating a visually striking image that draws viewers into its dark narrative. As we gaze upon this photo print, we are transported back to medieval Europe where tales of damnation and salvation were common themes in art. It serves as a reminder of humanity's eternal struggle between good and evil. This photograph allows us to appreciate Marmion's artistic genius while preserving the essence of his original work for generations to come. Whether displayed as part of an art collection or admired individually, this print invites contemplation on mortality, spirituality, and our own inner battles with our personal demons.

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