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Czaouch bachy [chavush bashi], ou grand-marA a chal de l empire. [10], Mahmud II
![Czaouch bachy [chavush bashi], ou grand-marA a chal de l empire. [10], Mahmud II](/p/694/czaouch-bachy-chavush-bashi-ou-grand-mara-chal-12872372.jpg.webp "Czaouch bachy [chavush bashi], ou grand-marA a chal de l empire. [10], Mahmud II")
Wall Art and Photo Gifts from Liszt Collection
Czaouch bachy [chavush bashi], ou grand-marA a chal de l empire. [10], Mahmud II
Czaouch bachy [chavush bashi], ou grand-marA a© chal de l empire. [10], Mahmud II, Sultan of the Turks, 1784-1839, (Patron)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12872372
© Artokoloro Quint Lox Limited
1223 1242 1808 1826 Asia Character Clothing Constantinople Fashion Islamic World Istanbul Oriental Manuscript Ottoman Ottoman Costume Ottoman School Ottoman World Single Figure Turcs Turkey Turkish Costume Painting
EDITORS COMMENTS
The captivating print titled "Czaouch bachy [chavush bashi], ou grand-marA a chal de l empire. [10], Mahmud II, Sultan of the Turks, 1784-1839" transports us to the vibrant world of Ottoman Turkey. This artwork, part of the Liszt Collection by Artokoloro, showcases an exquisite portrayal of a significant figure from history. In this mesmerizing image, we witness Czaouch bachy [chavush bashi], also known as grand-marA a chal de l empire or chief guard commander, standing with utmost authority and grace. Mahmud II himself is depicted in his resplendent attire that reflects the rich cultural heritage and fashion prevalent in Constantinople during his reign. The artist skillfully captures every intricate detail of Ottoman costume painting, showcasing their distinctive style and character. The opulent clothing worn by Mahmud II highlights his status as Sultan and symbolizes the splendor of the Islamic world. This Oriental manuscript offers us a glimpse into Istanbul's bustling streets and provides insight into Middle Eastern culture during this period. It serves as a reminder of Turkey's historical significance within Asia and its influence on art across time. As we admire this single figure portrait, let us appreciate not only its artistic beauty but also acknowledge its historical value in preserving the legacy of Mahmud II and celebrating Ottoman heritage.
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